Zahi Hawass vs Graham Hancock on significance of Gobekli Tepe: https://www.youtube.com/watch?v=q4NnCAZcxHg
Dr Zahi Hawass, who promotes himself as "the world's most famous Egyptologist" demonstrated stunning ignorance of crucial developments in archaeology in this exchange with me on 22 April. Astonishingly he revealed that he knew absolutely nothing about the mysterious 11,600 year old megalithic site of Gobekli Tepe in Turkey and had to turn to the moderator (another, less senior, Egyptologist) for help. If you value my work and agree that the pretences of mainstream archaeology need to be exposed please view this short video and share it as widely as possible: https://www.youtube.com/watch?v=q4NnCAZcxHg
From the video description:
For more than a year the encounter that took place at the Mena House Hotel, Giza Egypt, on 22 April 2015 between famed Egyptologist Dr Zahi Hawass and controversial alternative historian Graham Hancock, had been billed as"the first open debate between the representatives of two completely different versions of history." On the night of the event, however, as Graham Hancock was focussing his slides prior to giving his opening presentation, and before most of the audience had even entered the room, Dr Hawass saw that one slide contained a photograph of Hancock’s colleague Robert Bauval, originator of the Orion correlation theory with whom Dr Hawass has had disagreements for many years. Dr Hawass immediately became furiously angry and began to shout at Hancock insisting that he censor his talk to remove all references to Robert Bauval and the Orion correlation theory. When Hancock explained that the alternative view of history that he was on stage to represent could not exclude the Orion correlation and therefore could not exclude Robert Bauval, Dr Hawass, again shouting, marched out of the debating room. Next, as the audience began to arrive, frantic negotiations took place off stage between the conference organisers and Dr Hawass. Finally Dr Hawass agreed to return and give his talk and answer questions from the audience, but he refused absolutely to hear or see Hancock’s talk, or to engage in any debate with Hancock. Hancock therefore gave his talk to the audience without Dr Hawass present (Dr Hawass sat in a room outside the conference hall while Hancock spoke). When Hancock had finished he answered questions from the audience. Then Dr Hawass entered, gave his talk, answered questions from the audience and left. A member of the audience who had arrived early did manage to record part of the scene of Dr Hawass storming out of the conference room and and this video can be viewed here:https://youtu.be/8Ziu2ygE_Wcrel=0. . Likewise during Dr Hawass’s Q&A he was asked a question about the 11,600-year-old megalithic site of Gobekli Tepe in Turkey and whether it had any impact on his assessment of the disputed age of the megalithic Great Sphinx of Giza (which Hancock and others have theorised may be of similar antiquity). Unfortunately it appeared that Dr Hawass was completely ignorant of the existence or implications of Gobekli Tepe so he was unable to answer the question, which he passed on to the moderator who also happened to be an Egyptologist and whose knowledge of Gobekli Tepe was also clearly incomplete (for example the moderator stated that Gobekli Tepe dates from the “late eleventh millennium BC through the tenth millennium BC” whereas in fact the dates presently established for Gobekli Tepe are from 9600 BC through 8200 BC, i.e. from 11,600 years ago to 10,200 years ago). Hancock did at that point have a brief opportunity to stand up and give his own point of view on Gobekli Tepe and on its implications for the age of the Sphinx, and that exchange is the subject of the present video clip.

Sasha Alex Lessin
14. Mai um 14:19

ANCIENT SACRED SITES ENLIGHTEN US
Excerpt from “Anunnaki: False Gods” by Sasha Alex Lessin, Ph.D. (Anthropology, U.C.L.A.) and Janet Kira Lessin, CEO, Aquarian Radio

"Every dawn, the Earth is subjected to a rise in the solar wind which intensifies the planet's geomagnetic field; at night this field weakens, then picks up at dawn and the cycle repeats. Where the geomagnetic field interacts with another force the effect intensifies." Scientists call this a telluric current; "ancient people call it a spirit road. These lines of force travel better along soil with a high content of metal, water and quartz. Drier, less metallic ground conducts telluric currents minimally. Where a boundary between these two types of land occurs, the telluric current crossing it either reinforces or weakens the daily fluctuations of the geomagnetic field. This generates a hotspot, a CONDUCTIVITY DISCONTINUITY." At sites our genetic makers from Nibiru--the Anunnaki--established all over this planet, telluric energy affects the mind, creativity and personal power. It "raises one's resonance. Contact with multiple power places builds up spiritual attuning, a numinous state of mind, and forms the basis of pilgrimage" from one site to the next. Perceptual reality commonly experienced and reinforced by people of similar purpose over long periods of time marks the locations as sacred." Anunnaki temples were carefully aligned on the globe, as you see on the illustration.

THE HARTMANN NET

“A woven electromagnetic grid,” the Hartmann net, “exists over the entire face of the globe, composed of small rectangular nets, rising from the earth, each line is 9 inches thick and placed at intervals of 6 feet by 6 inches by 8 feet, magnetically-oriented. The intersecting points of the network--the knots--are influenced by underground veins of water as well as magnetic forces emanating from the earth.

“Giant telluric waves, undulating vertically and linked to the geomagnetic field of Earth, create a network of crisscrossing lines all around the planet.” Anunnaki put their structures where lines crisscross.

Sacred sites' "exact place of veneration is located in a spot where the geomagnetic field is more pronounced, accessed by a "spirit road, a telluric current--electromagnetic pathway that flow across the face of the Earth. Sacred sites connected to one another through common narratives, myths and folklore. All share accurate triangles."
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“People communing at the sites fly astrally. They're “sent flying by an electromagnetic charge in quartz or magnetite, touching it or grounded in its energy. The local magnetic field is drawn like a whirlpool into the center of the temple. Stones store and direct the flow of terrestrial energy. " Meditate at a sacred site, tap into the power of the world-wide grid and amplify your psychic abilities and spiritual consciousness and you feel this energy and commune with your ancestors from the stars directly.

The builders marked crossing points with temples and standing stones. Elongated shapes--menhirs, steeples or towers) acted as antennae, attracted “cosmo-telluric waves” that continue to flow through the worldwide network.

"Tens of thousands of sacred sites still stand in every country on Earth. These sites share colossal stones, often hauled from hundreds of miles away, aligned to the heliacal rising of specific stars and mirror entire constellations, compute with regularity the solar and lunar calendars, solstices and equinoxes. They were built to last into an age when humanity would lose its connection with the divine. These temples were places where the individual could be transformed into a god. Their purpose was self-realization of the individual through the transfiguration of the soul."

“These cosmo-telluric lines” let the Anunnaki, other ETs on Earth and our ancestors “gather a whole body of knowledge.” We can, at these sites, “trigger a shift to a heightened and more spiritual state of consciousness.” Though the ETs choose the sites, our ancestors in every era and on every land anchored them with stones and buildings. Once fixed, our forefathers’ reinforced the broadcasting power when they prayed at the sites. Our genitors experienced “planetary consciousness when they did rituals at the big-stone sites," and you can too when you meditate at a Megalithic temple.

SEVEN ASPECTS THAT SACRALIZE ANUNNAKI TEMPLES

Silva identified the aspects that make Anunnaki temples sacred and continue to make the later temples and churches built atop them sacred too. The seven principles of sacred space are "water, electomagnetics, sacred measure, stone, sacred geometry, orientation and the human key."

1) WATER

Every Anunnaki sacred site, "without exception is located above or beside water. Water is the foundation of every temple." Enki, Ningishzidda and their assistants distilled the energy of the water of the sacred sites; they inserted metal rods to keep water charged with healing properties--the CONSECRATED WATER--at the site from water whose charge would harm people. "So long as the purity of the water is maintained at the site, the potentially destructive telluric forces of the earth do not interfere with the processes at work inside the sanctuary. Energized water behaves as a force field. The prime energy spots in sacred sites tend to be those from which a number of underground streams form a radial pattern. Water at sacred sites is different in frequency from ordinary water." Spectroscopy of such water shows it free from bacteria and full of "natural minerals beneficial to health and longevity. This extremely pure water exhibits greater properties of spin. Such vortices create an electrical charge which then generate an electromagnetic field to transform it into something different from ordinary liquid." It becomes holy water. "Its potency can be enhanced by crystals, particularly quartz, the prime material used in temple-building. This energized water, the primary ingredient of sacred space" is also "a major stimulant of the human body that benefits most from using the temple.

“Our bodies consist of 2/3 water, just like the Earth, and 90% of the brain is made up of the stuff. Water retains information; drinking it form a sacred site means one imbibes whatever is stored in the memory is stored in the memory of the place, natural energy as well as the energy from affirmations and prayers accumulated over thousands of years. Our blood requires a vorticular motion to move though the vials. Properties of water at sacred sites affects the spin ratio of blood, altering the information traveling through the body and makes us more receptive to the processes taking place inside the temple.

"The effects of concentrated thought to alter the shape of water has been illustrated by Emoto. The directed intent from ordinary people aimed at vials of water shows the ability of a word such as love to alter the crystalline structure of water."

2) ELECTROMAGNETICS

“The Hartmann Net's intersection points, without Anunnaki grounding, hurt the health of those near. The Anunnaki and later dowsers cleared these effects at sacred sites "by embedding conductors such as metal rods in the ground, which stretch the electromagnetic net away.

"The blood that flows through our vains and arteries carries iron, magnitism reorganizes iron for the brain tissue and the cerebral cortex. These pyramid-shaped crystals allow humans to detect the Earth's magnetic field." Magnetic stimulation of the brain creates the coherent, negantropic conditions that can yield an altered state of consciousness in receptive people. The site and the people become one. Also, "human bone is a crystalline structure through which flows an electrical charge.

"Geobiologist Blanch Merz conducted reading at temples in Europe, Egypt and India and found the Hartmann Net streched around the temples like a protective membrane." She wrote "'The Hartmann network forms a dam of 18 geomagnetic lines around the perimeters of the buildings.' Temples at Saqqara, Karnak, Luxor and Kom Ombu [Egypt] enjoy an immense neutral zone the same way the henge at Stonehenge [England] circulate electromagnetic forces which concentrate the energy inside the temples in a controlled manner beneficial to people. Merz found other energy hotspots at Chartes, Santiago de Compostela, Indian sacred sites; in Tibet she found that the stupas marked with the nagas [serpents symbolizing electricity mastery] identify the position of Hartmann knot. Telluric energy is transmitted via these upright stones. The ceremonial chamber at New Grange [Ireland] is protected by alternating energy currents with seven positively-charged lines anchored on either side of the chambered passageway before reaching the inner sanctum as a preparatory area for the initiate prior to crossing the threshold between visible and invisible."

3) SACRED MEASURE BY THE CUBIT, THE TRANSDIMENSIONAL CONSTANT

The Anunnaki used the cubit, 2.72, from which they derived the primary geometric buiding blocks, tetrahedrons and spheres to lay out temples and extrapolate all the numbers relating to Earth, orbits of the planets, musical scale ratios, space between water molecules, star triangulation and make this info available to all who study their temples.

4) STONE

"When the builders located the veins of water located, they insulated the safe electromagnetism and measured out the site, they added large amounts of quartz, a trainable piezoelectric substance to the site." The Anunnaki brought stone from afar to temples like the Giza Pyramids and Stonehenge to stop shifting telluric forces from moving and to anchor them to the sites.

The builders considered the Sun masculine, "its energetic properties mirrored on Earth by volcanic action. Thus volcanic (igneous) rock vectors masculine energy and temples where masculine forces are at work are built predominantly with red granite, basalt, dolorite, greenstone and serpentine." They associated energy of the moon as femine "due to the moon's influence on fertility cycles of women. Temples designed to vector femine qualities [Dendera in Egypt, Mediterranean temples dedicated to Inanna or Ninmah, Averbury England's lunar circle] are built primarily with limestone, sandstone, sarsen, marble, schist and alabaster." They built some temples for balance of masculine and feminine.

5) SACRED GEOMETRY

Geometry and angles in temples "initiate a process of sensory manipulation to open the body's electrical circuits and make it more receptive to finer, more penetrating frequencies and vibrations. Molecular bonds that constitute matter are held together by a geometric matrix. Geometry is a whirlpool of conscious energy manifesting toward physical form. It's the language of life. Its blueprint is reflected in human DNA, where four base compounds are arranged in bonds of pentagons and hexagons. We are hypnotically drawn to geometric order because, to our biogeometric cells, it is as if we are looking in the mirror. We are a distillation of the universe.

"Pyramids, spheres and squares act as resonators for telluric and cosmic forces. Rooms of differing shapes generate different energetic environments that influence the senses." The Anunnaki builders applied specific geometries to induce the individual's state of awareness to teach self-understanding to facilitate self-development by initiates who understood how to translate shape and symbolism [eg: mandalas, yantras] into meditative exercises that lead to higher states of consciousness, to re-establish unity between body, mind and cosmos.

"Temples at Luxor [Egypt] Angkor Wat [Cambodia], and the Pathenon [Athens] are based on the GOLDEN RATIO, the spiral that underlies all living organisms. The same proportions are inherent in the human body. Walking into such temples makes you feel an integral part of the structure because you are walking inside yourself.

"The seven principal sacred geometries used in temple--triangle, square, pentagram, hexagram, octagon and nonagon--each amplify specific properties. The TRIANGLE represents the primary force of creation in perfect equalibrium. The SQUARE represents the prime elements--earth, water, fire and air--held in balance, defining the invisible forces on the material realm held together by a central force. The PENTAGRAM, fluid and femine, pervasive in every culture" employs the Golden Ratio and "reflects the harmonics of Earth's living systems. Lunar temples favor pentagonal geometries due to the Moon's influence. The HEXAGRAM, rigid and structured, is masculine, solar, logical, rational. The HEPTAGRAM represents the mystery of creation, the search for truth that leads to enlightenment, the individual liberated from the illusions of the physical world. The OCTAGON represents balance between male and female, material and spiritual, heart and mind, inhalation and exhalation. The nine-sided NONAGON is the triangle manifested threefold and represents perfection and highest attainment."

6) ORIENTATION

To welcome specific energy into a sacred site, the builders faced the entrance to the site in a specific direction to invite the energy into the site's inner sanctum. Some sacred sites have more than one entrance and access the energy of each direction. Those, like Central American pyramids and pagodas access the energy of earth, air, fire and water as well and reference points of equilibrium--equinoxes--and transitions--solstices.

If the site's entrance faces NORTH, it welcomes in earth-energy and geomagnetism "since magnetism enters the Earth through the North Pole. When rows of standing stones are oriented north-south they mimic the path of geomagnetism flowing through the planet's core and make a direct link to the Earth's veins and arteries, the mediating points between the surface and the inner workings of the planet to achieve a close bond between people and the planet.

If the site's entrance faces SOUTH, "it faces the heat of the equator and welcomes in fire, strength, power and protection" and is usually a solar temple that gives its mediators the power of the Spiritual Warrior.

Temples with EAST-facing entrances "face the light of the reborn Sun, the purified morning air" and celebrate the element, air. Dawn is the awakening from darkness, the Sun emanating from the underworld, the light returning to the land, associated with enlightenment. Electrical charge in the air is at its most formidable; healing temples such as native American sweat lodges are oriented East."

Sacred sites with WEST-facing entrances follow the Sun as it goes down to the underworld, the place of the spirit; there meditators track the Sun into "the world of the soul.'' In a west-facing temple, you "travel within" access communication with water and divinity.

When a sacred site entrance faces SOUTHEAST, it aligns with the first rays of the winter solstice, when light's reborn and starts to overcome dark and it's associated with creativity, rebirth and sacred sexuality. When a sacred site entrance faces SOUTHWEST, it symbols harvest and fertility, the yield of full sunshine.

7) HUMAN INTENT

When we become aware of a sacred Anunnaki site or the later temples built upon it, the site becomes aware of us. "We consecrate a sacred site when we bring our sacred geometry and our intent to the temple. Awareness and intent, both electromagnetic impulses, interact with the forces concentrated at the site to create a fusion, uniting the two temples. Intent, our silent inner voice glues water, electomagnetics, sacred measure, stone, sacred geometry and orientation together and brings the structure to life."

ps: Lying in a crop circle yields a similar effect as can picturing a sacred site in your mind or visualizing an enlightened sage like Buddha, Jesus, Dali Lama or Pravupad can also facilitate ego-transcendence.

Get lots more detail, illustrations and references at

With the opening of Sanliurfa's new archaeological museum full attention has been given to its incredible reconstruction of Göbekli Tepe's Enclosure D, complete with its twin monoliths standing an almighty 5.5 metres (18 feet) high, and its stone-by-stone reconstruction of Nevali Çori's cult building. Yet lurking in the back of one of its display areas is a stone carving from Göbekli Tepe that almost certainly shows either a penguin or the great auk. But which is it? Learning the answer could throw greater light on the geographical origins of the Göbekli builders. Read my feature on this unique discovery and decide for yourself:
(( ANDREW COLLINS )) http://www.andrewcollins.com/page/news/auk.htm





PENGUIN OR GREAT AUK?

A NEWLY UNVEILED CARVING OF A SEABIRD FOUND AT GÖBEKLI TEPE OPENS THE DEBATE OVER THE GEOGRAPHICAL ORIGINS OF ITS POWER ELITE


A REPORT BY ANDREW COLLINS


With the opening of Sanliurfa's new archaeological museum full attention has been given to its incredible reconstruction of Göbekli Tepe's Enclosure D, complete with its twin monoliths standing an almighty 5.5 metres (18 feet) high, and its stone-by-stone reconstruction of Nevali Çori's cult building. This was saved from destruction in 1992 when the site was drowned by the rising waters of the Euphrates river following the opening two years earlier of the Ataturk dam.

Other large exhibit rooms contain literally hundreds of portable objects and carved stone fragments retrieved from these two Pre-Pottery Neolithic sites, which thrived between 11,500 and 10,000 years ago. Many of these artefacts have never been seen before in public. Some have not even appeared in books and articles, giving the curious their first look at prehistoric art that might well throw considerable light on the origins of those who created these incredible monuments so soon after the end of the last Ice Age.


Stone Age Menagerie

Of particular interest is an entire display area, open for inspection without the hindrance of protective glass. It contains a virtual menagerie of stone age creatures found during excavations at Göbekli Tepe. Emerging from their limestone matrixes are bug-eyed lizards, fearsome boars, terrifying predators, as well as other more nightmarish creatures almost beyond recognition. Some are high reliefs on stone panels, while others are freestanding, 3D statues, very often detached fragments from much larger architectural features, such as T-shaped pillars and porthole stones. They are amazing works of art unlike anything else seen in the ancient world during this distant epoch. Some of my colleagues, particularly Hugh Newman and Graham Hancock (see Hancock, 2015), rightly point out the similarities between the artistic style and general appearance of these strange creatures and other similar examples of 3D rock art seen in such far flung places as Sulawesi in Indonesia, Rapanui/Easter Island in Polynesia, Costa Rica in Central America and Peru in South America. Such commonalities raise the question of cross-cultural contact between the earliest peoples of these distant lands and the builders of Göbekli Tepe.


PIC 1 1. Stone carvings of animals and creatures found at Göbekli Tepe and now on display at Sanliurfa's new museum of archaeology. The seabird carving is against the rear wall(pic credit: Andrew Collins).

It's a Penguin!

As I was photographing the various exhibits in this display area, one carved panel caught my attention. It is mounted on the rear wall and shows a bird in an upright position, with long tapered body, an L-shaped head and extended beak; tiny outstretched wings and a small wedge-shaped tail. The carving was of a flightless bird. This seemed certain. Yet from its webbed feet and general appearance there seemed little doubt it belonged to the penguin family. No other bird matched all the various components. It had to be a penguin, raising the question of why no mention of this beautiful carving was made by Joris Peters and Klaus Schmidt in their authoritative review of Göbekli Tepe zoomorphic art and faunal remains, published in 2004 (Peters and Schmidt, 2004).

Yet if it was a penguin, how did the Göbekli builders come to witness a flightless seabird only indigenous to the southern hemisphere? Indeed, biogeographical maps show that penguins are found only in Antarctica, off the cape of South Africa, on the southern coasts of Australia, on the west coast of South America and on the Galapagos Islands of the Pacific. No species of penguin are known in the northern hemisphere.


PIC 2 & 3. Left, the penguin-like seabird seen on a stone panel found at Göbekli Tepe and now on display in Sanliurfa's new museum of archaeology (pic credit: Andrew Collins) and, right, penguins on Antarctica (pic credit: Wiki commons licensing agreement).



And the Dodo!

If the bird carved on the stone plaque found at Göbekli Tepe is indeed a penguin then it strongly suggests the Göbekli builders, or their forerunners, witnessed penguins somewhere in the southern hemisphere and brought with them a memory of this bird to southeast Anatolia. Adding weight to this argument is the presence on some of the stones at Göbekli Tepe, especially on the pedestal supporting one of the twin central pillars of Enclosure D, of another species of flightless bird - one that resembles the dodo. Until hunted into extinction by Europeans in the seventeenth century, the dodo was native only to Mauritius, an island east of Madagascar in the Indian Ocean. Once again, this is an area of the globe well south of the equator.


PIC 4 & 5. Dodo-like birds on the pedestal holding up one of the two twin monoliths in the middle of Göbekli Tepe's Enclosure D and, right, illustration of a seated dodo.


Sundaland Destruction

Such evidence could provide support for the slowly building theory that the Göbekli builders were survivors of a long civilization that once thrived on the former landmass of Sundaland. This was partially submerged through rising sea levels following the cessation of the Younger Dryas cold spell, ca. 9600 BC, its remaining high ground forming what is today the Malay Archipelago, which includes the islands of Indonesia and Borneo. This mini ice age had, most likely, been triggered some 1,300 years earlier by what we know today as the Younger Dryas Boundary impact event, caused when multiple fragments of a disintegrating comet bombarding the planet sometime around 10,900-10,800 BC.

It is a theory that might well help explain the similarities in stone carving found at Göbekli Tepe and also in Indonesia, Polynesia, Central and South America, as they could all have been the product of surviving communities from Sundaland's lost civilization. This seems to have possessed sea-faring capabilities and left behind as a legacy the megalithic complex at Gudung Padang in Indonesia's West Java province. The deeper levels of this important pyramid-like site have recently be dated as "pre-8000 BC" by a geological team working under the leadership of Javanese geologist Danny Hilman Natawidjaja of LabEarth at the Indonesian Institute of Sciences (LIPI) in Bandung.

PIC 6. Gunung Padang showing the slope that rises between its Terrace 1 and Terrace 2, which is estimated to be at least 7,000 years (pic credit: Andrew Collins).

Although these ideas are attractive, and could easily have some basis in truth, there might well be other more prosaic answers to at least some of these most ancient of mysteries. Archaeologists will tell you that what was occurring at Göbekli Tepe some 11,500 years, when the first stone enclosures were constructed on this mountaintop site in southeast Anatolia, was the product of regional clans of hunter-gatherers coming together to create a communal religious centre to celebrate the success of the hunt.


Arrival of the Anunnaki

Professor Klaus Schmidt, the German archaeologist under whose supervision excavations took place at Göbekli Tepe between 1995 and his unexpected death in 2014, saw the prime movers behind Göbekli Tepe's construction as a "power elite," whose memory might well have been preserved under the name Anunnaki, the gods of heaven and earth in Mesopotamian mythology (Schmidt, 2012, 206-7). They are said to have inhabited a primeval mound called Duku located on a mountain to the north of Mesopotamia called Kharsag (also written Hursag). They provided humanity with the first "sheep and grain," a metaphor for the introduction of, respectively, animal husbandry and plant domestication, both of which occurred for the first time sometime after 9000 BC in the very same region as Göbekli Tepe. Indeed, Göbekli Tepe's presence might even have helped trigger this abrupt change in lifestyle among the Pre-Pottery Neolithic population of southeast Anatolia.

If the Anunnaki were indeed Göbekli Tepe's "power elite," as Schmidt proposed, then who were these individuals and where did they come from? Did they come from Sundaland in island Southeast Asia, as many are now beginning to believe? Or did they arrive in Anatolia from somewhere else in the ancient world?


Swiderian Dawn

In Göbekli Tepe: Genesis of the Gods I argue that Göbekli Tepe's power elite were displaced peoples known to archaeology as Swiderians, whose original homeland was Central and Eastern Europe (Collins, 2014, 168-176). The onset of the Younger Dryas cold spell caused a re-advance of the ice sheets that had been slowly receding since the end of the last major Ice Age, ca. 13,500 BC. Not only did this result in dramatic changes in flora and fauna, but it also caused a long-lasting drought across the northern hemisphere as all available water was absorbed into the re-advancing ice sheets. What this did is force European populations such as the Swiderians to migrate southwards in search of warmer and more productive climes. In their case they were funneled between the Black Sea and Caspian Sea, where they most likely settled first in and around the Caucasus Mountains and Armenian Highlands. From here it is just a short journey south into southeast Anatolia, where Pre-Pottery Neolithic sites such as Göbekli Tepe and Nevali Çori emerged in aftermath of the Younger Dryas cold spell.

PIC 7. Artist Russell Hossain's impression of a Swiderian male and female based on all available anatomical evidence regarding the population's physiognomy (pic credit: Russell Hossain).

Not only did the Swiderians carry with them unique hunting strategies, compared by Klaus Schmidt with those adopted by the Pre-Pottery Neolithic communities of southeast Anatolia (Schmidt, 2002, 10), but they also most likely introduced special stone tool making techniques, including the art of pressure flaking. This unique skill, previously popular among the Solutrean peoples of Western Europe, is found in eastern Anatolia certainly by ca. 8500-8000 BC, and arguably it had been present much earlier. Immediately prior to this time the use of pressure flaking had been common only among the Swiderian peoples in what is today the Ukraine on the northern coast of the Black Sea.

In Göbekli Tepe: Genesis of the Gods I argue also that the Swiderians introduced cosmological beliefs regarding the soul's origins in a sky-world located in the vicinity of Milky Way's northern bifurcation or fork known as the Great Rift, marked in night sky by the stars of Cygnus, the celestial bird. Similar beliefs were held by many indigenous peoples in North America prior to the historical period, suggesting that they reached the continent from Central and Eastern Asia prior to the submergence of the Beringia land bridge sometime around 8500 BC (see Little and Collins, 2014).


Eastern Gravettians

In addition to this, I demonstrate that the Swiderians were inheritors of shamanistic practices involving key animal totems, including the wolf and fox, that originated among the Eastern Gravettian peoples, a highly advanced Upper Palaeolothic culture that thrived between 40,000 and 19,000 BC in Central Russia (Sungir and Kostenki in particular) and also in what is today the Czech Republic (at sites such as Brünn (modern Brno), Predmostí, Dolní Vestonice, and Pavlov). They possessed a fully developed goddess cult (for instance, they created the famous Venus of Willendorf goddess statue); built the first celestially aligned buildings made of mammoth bone and wood; wore tailored clothing adorned by thousands of beads, and even experimented with agriculture as much as 30,000 years ago.

PIC 8. Artist's impression of Eastern Gravettian long houses at Kostenki in central Russia, ca. 30,000 years ago.

The Swiderians, as the direct successors of the Eastern Gravettians, not only reached as far south as the Caucasus region, and arguably Anatolia, but also became among the earliest post-Ice Age inhabitants of Northern Europe, their post-Swiderian descendants perhaps being the carriers of cosmological beliefs that persist even today among indigenous peoples of Finland and Scandinavia.


North or South: What is the Answer?

Which brings us back to the carving of a flightless seabird found at Göbekli Tepe, and the birds with the likeness of dodos seen on and around some of its T-shaped pillars. Their presence could argue that the power elite behind the initial phases of construction at Göbekli Tepe came not from the north, but from the south, and more precisely the former Sundaland landmass.

So which is right? What are the true origins of the Göbekli builders? There are no hard and fast answers right now, and it could be that both solutions are correct. The Pre-Pottery Neolithic peoples of southeast Anatolia could have been ruled by a cosmopolitan group of individuals whose geographical origins were quite diverse. Indeed, in Göbekli Tepe: Genesis of the Gods I argue that it is possible that Nilotic peoples from what is today Egypt might well have had a hand in its construction. Certain comparisons that can be drawn between the layout and design of key enclosures at Göbekli Tepe and cosmological symbols preserved even today by the Dogon tribe of Mali seem to bear out this possibility, especially if their origins can be traced to the Saharan desert prior to its desiccation some 5,000 to 7,000 years ago.


Great Auk and not a Penguin?

As for the penguin-like bird on the stone slab found at Göbekli Tepe, more likely it is a representation of a great auk (Pinguinus impennis). This was a 75 to 85 centimetre (30 to 33 inch) tall flightless seabird, a member of the alcid family, that once inhabited the rocky seashores of the Northern Atlantic. Its territories stretched from Newfoundland and New England in North America, to Greenland, Iceland, Scandinavia, Great Britain and Ireland in Northwest Europe, and from the coasts of Northern Europe across to European Russia and beyond into Eastern Asia. Moreover, the greak auk was known as far south as France and Southern Spain, while bones from the seabird were found by excavators at a Neolithic cave site in the Temara region of Morocco (Campmas, 2010). It is even reported that at certain times during the Pleistocene epoch great auks were present in Italy as well as in other parts of the Mediterranean basin.

PIC 9. Illustration of a great auk.

Like the penguin, which it greatly resembles, the great auk was clumsy on land, yet was a powerful swimmer, its main sources of food being fish and crustaceans. Somehow it managed to survive through from the Pleistocene into the Holocene, our current geological epoch, only to be hunted to extinction in fairly modern times. The last known pair of great auks were killed on Eldey Island, Iceland, in 1844, while the last known sighting of a live bird was on the Newfoundland Banks in 1852.

Pictures of the great auk show that its right-angled head and neck, its heavy black bill; long, powerful body, webbed feet, stubby tail, and tiny wings, closely match the features of the penguin-like bird carved on the stone slab found at Göbekli Tepe. The likeness is too close to ignore, making it clear that what we see here is a bird not of the southern hemisphere, but one whose home was in the northern hemisphere.

The earliest known, fully recognizable representation of a great auk is seen in the Grotte Cosquer, a cave on the Mediterranean coast of France discovered in 1991 and only accessed today via a 175 m (574 ft) long tunnel, its entrance 37 metres (121 feet) below the current sea level. Here around 19,000 years ago Solutrean cave artists created a series of drawings in black charcoal showing an assortment of Ice Age animals including bison, aurochs and horses. They also drew seals, jellyfish and auks. One image in particular of a great auk closely resembles the penguin-like bird from Göbekli Tepe.

PIC 10 & 11. Left, one of the greak auk drawings from Grotte Cosquer and, right, the penguin-like bird seen on the stone panel found at Göbekli Tepe (pic credit: Andrew Collins).

Solutrean Mariners

At Grotte Cosquer we see two auks, interpreted as males, standing over a passive female lying down with her wings closed. This has been interpreted as a mating scene, and as auks were known to breed only on offshore islands, well away from the coastline, this has been seen as evidence that the Solutreans possessed sea-going vessels as this would have been the only obvious way they could have witnessed the great auk's mating activities. This argument has in turn been used by Dennis J. Stanford and Bruce A. Bradley to support their bold theory that Solutreans traveled between Western Europe and the American coast as early as around 20,000 years ago (Stanford and Bradley, 2012, 230).

Worth mentioning here is that the grave of a male individual unearthed at Port au Choix on the northwest coast of Newfoundland and dating to 2500 BC was found to contain no less than 200 bills of the great auk, which are believed to have formed part of a large cape or garment (Tuck, 1976). Since the burial also contained ground-stone tools, beads, bird bones, quartz crystals and four dozen beaver incisors, it is proposed that the individual was a shaman and that his principal animal totem was the great auk, due perhaps to the bird's ability to dive between worlds (Holly, 2013, 38). The burial, found covered in red ochre, is attributed to the Maritime Archaic culture, known also as the Red Paint People. Their descendents included the Penobscot from Maine, who recognized the great auk as the "chief" of an otherworldly tribe, consulted even by the gods themselves (Speck, 1921).

PIC 12. The "shaman" unearthed at Port au Choix in Newfoundland with the beaks of 200 great auks around his body (pic credit, Tuck, 1976).

What this reveals is that the great auk - whose black feathers, oil and skin were highly sought after by hunters right through to the time of its extinction - was anciently seen as a bird of great supernatural power. It was for this reason perhaps that the Solutreans of Grotte Cosquer in southern France had felt it necessary to depict the seabird's mating ritual.

Where exactly the Göbekli builders might have encountered the greak auk remains unclear, although it is perhaps pertinent to point out that the Swiderian stone tool industry is directly compared with that of the Solutrean peoples of Western Europe. Even V. Gordon Childe (1892-1957), arguably the most famous prehistorian of the twentieth century, wrote that both the Swiderians and Solutreans derived their advanced tool making techniques from the much earlier Eastern Gravettian population (Childe, 1962, 21-2).

If this is the case, then Göbekli Tepe's great auk carving lends weight to the theory that the power elite behind the construction of its earliest enclosures came from or had contact with Swiderian peoples whose original territories stretched as far north as the Baltic coast of Northern Europe. Was this where the ancestors of the Göbekli builders first encountered the great auk?

It remains possible that the Göbekli builders do have more exotic origins, and were indeed the remnants of a lost civilization displaced from the former Sundaland landmass in the wake of the catastrophic events surrounding the Younger Dryas Boundary impact event. It is a matter dealt with thoroughly in Graham Hancock's new book Magicians of the Gods, published in September 2015. Certainly, the sheer diversity of the site's carved art, and its direct comparisons with very similar art in Indonesia, Polynesia, and even Central and South America, is itself persuasive evidence of cross-cultural contact on a global scale, or at least of a cooperation and mutual exchange of ideas between different sea-faring peoples existing at this time. Whatever the answer, at least part of that cross-cultural contact was probably with descendents of the Eastern Gravettian population of Central and Eastern Europe, most obviously the Swiderians, who, like their Solutrean cousins, were master craftsmen when its came to stone tool making techniques.

Not only were the Solutreans perhaps the original sea-kings of the Atlantic Ocean, but they also created the earliest known carved stone panels depicting Ice Age animals in high relief (see, for instance, the carved art of the Roc de Sers grotto in southern France at http://www.donsmaps.com/rocdesers.html). For these reasons alone, the possible role of their extended family in the emergence of Göbekli Tepe should never be overlooked.

Andrew Collins is a historical writer and the author of the book Göbekli Tepe: Genesis of the Gods (2014).



Bibliography

Campmas, Emilie, Véronique Laroulandie, Patrick Michel, Fethi Amani, "A greak auk (pinguinus impennis) in North Africa: discovery of a bone remain in a Neolithic layer El Harhoura 2 Cave (Temara, Morroco)," in Prummel, 233-240.
Childe, V. Gordon. The Prehistory of European Society. London: Cassell, London, 1958. Revised edition 1962.
Collins, Andrew. Göbekli Tepe: Genesis of the Gods. Rochester, VM: Bear & Co, 2014.
Hancock, Graham. Magicians of the Gods. London/New York: Hodder & Stoughton/St Martin's Press, 2015.
Holly Jr., Donald H. History in the Making: The Archaeology of the Eastern Subarctic. London: Rowman & Littlefield, 2013.
Little, Greg, with Introduction and Afterword by Andrew Collins, Path of Souls: The Native American Death Journey. Memphis, TN: Eagle Wing Books, 2014.
Peters, J., and K. Schmidt. "Animals in the Symbolic World of Pre-Pottery Neolithic Göbekli Tepe, South-eastern Turkey: A Preliminary Assessment." Anthropozoologica 39, no. 1 (2004): 179-218.
Prummel, W., J.T. Zeiler, and D.C. Brinkhuizen, Birds in Archaeology. Eelde, Netherlands: Barkhuis, 2010.
Schmidt, Klaus, "Göbekli Tepe and the Early Sites of the Urfa Region: A Synopsis of New Results and Current Views." Neo-Lithics 1, no. 1 (2002): 9-11.
Schmidt, Klaus, Göbekli Tepe: A Stone Age Sanctuary in South-eastern Anatolia. Berlin, Germany: ex oriente e.V., 2012.
Speck, Frank G. Bird-lore of the Northern Indians. Philadelphia, PA: University of Pennsylvania Press, 1921.
Stanford, Dennis J., and Bruce A. Bradley. Across Atlantic Ice: The Origins of America's Clovis Culture. Berkeley, CA: University of California Press, 2012.
Tuck, James A. Ancient People of Port au Choix. Newfoundland Social and Economic Studies No. 17, Institute of Social and Economic Research, Memorial University of Newfoundland, St. John's, 1976.

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THE PEOPLE OF THE ISLAMIC WORLD HOAXED:


THE STS SPACE SHUTTLE RECORDINGS.(OPEN AND STUDY THE INTRO)...Real flying UFO in EARTHS ORBIT!.......No L-formation flying sattelites possible so far........CHRIS EVERARD PUBLICATIONS SINCE 1999 .................... http://www.youtube.com/watch?v=ptX9aS8rjEs
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The famous Chris Everald about the infowars on Cropcircle about people making postproductions on happenings to show them like man-made-manipulated SFX....But there are too much and too many lightballs flying and noone can create the video-defects of a 1980th recording I tell you as specialist...... http://www.youtube.com/watch?v=sMOezRBw … e=youtu.be
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The Quran is 6,000 years old and comes from the Sumerian culture. The same people who are also responsible for the developed Judaism, Christianity and Islam. They developed Nazi Germany to enforce thier own goals and just now ISIL both to install a state of Israel or now a greater Israel. All was planned and organized and everyone can read this in the famous book EXODUS, http://en.wikipedia.org/wiki/Exodus_(novel)  These are extraterrestrial tactics and we are the zoo, busy with our religious wars we do not understand that this paradise planet is destroyed, and then another saying this is not satanic!

El Corán es de 6.000 años de edad y proviene de la cultura sumeria. Las mismas personas que también son responsables de la desarrollada el judaísmo, el cristianismo y el islam. Desarrollaron la Alemania nazi para hacer cumplir emabrgo propias metas y justo ahora Isil tanto para instalar un estado de Israel o ahora un gran Israel. Todo fue planeado y organizado y todo el mundo puede leer esto en el famoso libro de Exodo, http://en.wikipedia.org/wiki/Exodus_(novel) Estas son tácticas extraterrestres y nosotros somos el zoológico, ocupados con nuestras guerras religiosas no lo hacemos entiende que este planeta paraíso es destruido, y luego otro diciendo que esto no es satánico!

Le Coran est vieux 6000 années et provient de la culture sumérienne. Les mêmes personnes qui sont également responsables de l'développé judaïsme, le christianisme et l'islam. Ils ont développé l'Allemagne nazie pour appliquer thier propres objectifs et juste Isil maintenant à la fois d'installer un Etat d'Israël ou maintenant un grand Israël. Tout a été planifié et organisé et tout le monde peut lire dans la célèbre EXODUS livre, http://en.wikipedia.org/wiki/Exodus_(novel) Ce sont des tactiques extraterrestres et nous sommes le zoo, occupés avec nos guerres de religion, nous ne le faisons pas comprendre que ce paradis planète est détruite, et puis un autre en disant ce ne est pas satanique!

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